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Table of contents TOSCA |
ACT
ONE
Composer: Giacomo Puccini
ACT
I. Cesare Angelotti, an escaped political prisoner,
rushes into the church of Sant' Andrea della Valle
to hide in the Attavanti chapel. As he vanishes,
an old Sacristan shuffles in, praying at the sound
of the Angelus. Mario Cavaradossi enters to work
on his portrait of Mary Magdalene - inspired by
the Marchesa Attavanti (Angelotti's sister), whom
he has seen but does not know. Taking out a miniature
of the singer Floria Tosca, he compares her raven
beauty with that of the blonde Magdalene ("Recondita
armonia"). The Sacristan grumbles disapproval
and leaves. Angelotti ventures out and is recognized
by his friend and fellow liberal Mario, who gives
him food and hurries him back into the chapel as
Tosca is heard calling outside. Forever suspicious,
she jealously questions him, then prays, and reminds
him of their rendezvous that evening at his villa
("Non la sospiri la nostra casetta?").
Suddenly recognizing the Marchesa Attavanti in the
painting, she explodes with renewed suspicions,
but he reassures her ("Qual' occhio al mondo").
When she has gone, Mario summons Angelotti from
the chapel; a cannon signals that the police have
discovered the escape, so the two flee to Mario's
villa. Meanwhile, the Sacristan returns with choirboys
who are to sing in a Te Deum that day. Their excitement
is silenced by the entrance of Baron Scarpia, chief
of the secret police, in search of Angelotti. When
Tosca comes back to her lover, Scarpia shows her
a fan with the Attavanti crest, which he has just
found. Thinking Mario faithless, Tosca tearfully
vows vengeance and leaves as the church fills with
worshipers. Scarpia, sending his men to follow her
to Angelotti, schemes to get the diva in his power
("Va, Tosca!").
ACT
II. In the Farnese Palace, Scarpia anticipates
the sadistic pleasure of bending Tosca to his will
("Ha più forte sapore"). The spy
Spoletta arrives, not having found Angelotti; to
placate the baron he brings in Mario, who is interrogated
while Tosca is heard singing a cantata at a royal
gala downstairs. She enters just as her lover is
being taken to an adjoining room: his arrogant silence
is to be broken under torture. Unnerved by Scarpia's
questioning and the sound of Mario's screams, she
reveals Angelotti's hiding place. Mario is carried
in; realizing what has happened, he turns on Tosca,
but the officer Sciarrone rushes in to announce
that Napoleon has won the Battle of Marengo, a defeat
for Scarpia's side. Mario shouts his defiance of
tyranny ("Vittoria!") and is dragged to
prison. Scarpia, resuming his supper, suggests that
Tosca yield herself to him in exchange for her lover's
life. Fighting off his embraces, she protests her
fate to God, having dedicated her life to art and
love ("Vissi d'arte"). Scarpia again insists,
but Spoletta interrupts: faced with capture, Angelotti
has killed himself. Tosca, forced to give in or
lose her lover, agrees to Scarpia's proposition.
The baron pretends to order a mock execution for
the prisoner, after which he is to be freed; Spoletta
leaves. No sooner has Scarpia written a safe-conduct
for the lovers than Tosca snatches a knife from
the table and kills him. Wrenching the document
from his stiffening fingers and placing candles
at his head and a crucifix on his chest, she slips
from the room.
ACT
III. The voice of a shepherd boy is heard as church
bells toll the dawn. Mario awaits execution at the
Castel Sant'Angelo; he bribes the jailer to convey
a farewell note to Tosca. Writing it, overcome with
memories of love, he gives way to despair ("E
lucevan le stelle"). Suddenly Tosca runs in,
filled with the story of her recent adventures. Mario
caresses the hands that committed murder for his sake
("O dolci mani"), and the two hail their
future. As the firing squad appears, the diva coaches
Mario on how to fake his death convincingly; the soldiers
fire and depart. Tosca urges Mario to hurry, but when
he fails to move, she discovers that Scarpia's treachery
has transcended the grave: the bullets were real.
When Spoletta rushes in to arrest Tosca for Scarpia's
murder, she cries to Scarpia to meet her before God,
then leaps to her death.